Artist Statement
Art, to me, is a sacred playground where the spirit of creation dances freely—where tradition whispers to innovation, and imagination leads the way. Each stroke, each sculpted form, is guided by divinity, unfolding in the present moment, untethered by convention.
Every piece I create is a living conversation, woven from authenticity and intention—a luminous offering that speaks its own truth while remaining deeply personal. Art is both timeless and intimate, an alchemy of elegance and fearless exploration.
Whether awakening a fresh perspective or calling someone to embrace their purest essence, I believe art is the manifestation of one’s truest self—a bridge between beauty and boundless expression, not merely an object, but an experience that lingers in the soul.
—Josh Hy
Accolades
Josh Hy’s artistic journey has been nothing short of extraordinary, gracing prestigious exhibitions across Canada and beyond. From the cutting-edge FAT - Fashion Week SS in Toronto (2023) to the thought-provoking Their Dystopia showcase in partnership with Stackt Market (2023), his work consistently pushes boundaries. In 2022, Hy’s visionary creations were celebrated in exhibitions such as McCain X Bored & Hungry x NFT Goat Exhibition at Free Play Arcade, Pixel: Summer of Love at ACCIDA in Brampton, and TheirStory is MyStory, a solo exhibition at Regency Residence in Toronto. His international presence includes London’s MJ NFT Exhibition (2022) with Delicaie Inc. and Sentiment at Bickerton Grace Gallery (2021).
Hy’s impact extends beyond galleries, with his participation in Black Futures as a guest speaker at George Brown College (2021) and his works featured in high-profile auctions. His artistic excellence has helped raise funds for charitable causes, including Scrubs in the City Mykonos (2023) and City Couture (2022), both supporting SickKids, as well as Show Jump for Hearts in Uxbridge (2022).
His accolades include the prestigious Arts Acclaim Award from the City of Brampton (2024) and recognition in SG Magazine (2024) in Los Angeles. Interviewed by The Visual Art Journal in NYC (2025) and Miami Art Scene (2025). Nominated for the Cutting Edge Black Designer Award Canada (2024) by Living Luxe, Hy continues to gain widespread recognition. His collaborations with Canadian Tire (2022) in rare NFT art and his presence in top publications such as Living Luxe (2021, 2022), Chaarmz Magazine (2021, 2022), Streets of Toronto (2022), and Style Canada (2023) further highlight his influence. Through interviews and features in blogs—including those from George Brown College (2022)—Hy’s artistic narrative continues to captivate audiences worldwide.
With a dynamic spirit and a fearless approach to creativity, Josh Hy’s work remains a beacon of self-expression, bridging cultures and communities with art that speaks to the soul.
Philosophy
Josh Hy’s philosophy stands out for its spiritual and boundary-pushing approach, blending artistic tradition with personal authenticity. Traditional art philosophies often emphasize craftsmanship, historical techniques, or the pursuit of beauty and harmony, whereas Hy sees art as a living conversation, a means of self-discovery, and a direct manifestation of divinity.
Where classical art philosophies might focus on structure, technical mastery, or adherence to specific movements—like Renaissance ideals of proportion or Modernist minimalism—Hy prioritizes bold experimentation and individual expression. His work embraces both timelessness and personal storytelling, balancing elegance with a fearless approach to innovation.
Unlike formal traditions that sometimes seek to refine and perfect technique, Hy views art as an experience that resonates deeply, encouraging viewers to connect with their own purity and self-expression. His philosophy sees art not just as an aesthetic or intellectual pursuit but as a spiritual bridge between beauty and authenticity.
In essence, while traditional philosophies build upon established frameworks, Hy’s perspective embraces fluidity, intuition, and the unfiltered brilliance of the present moment—making art a force of transformation rather than mere creation.